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This ultra soft black bamboo+cotton+spandex blend top is the perfect addition to your wardrobe.
Features a black that wont fade after repeated washing and the gorgeous Dragonfly motif by Andy Everson is printed in an eco-friendly gold metallic ink.
This sleek black top is made from 66% Bamboo/28% Cotton/6% Spandex and has been designed to flatter every body. Available in six sizes from XS to 3XL, the fit is true to size, not clinging around the hips and belly.
Andy Everson was born in Comox, B.C. in 1972 and named Na̱gedzi after his grandfather, the late Chief Andy Frank of the K’ómoks First Nation. Andy has also had the honor of being seated with the ‘Na̱mg̱is T̓sit̓sa̱ł'walag̱a̱me' name of Ḵ̓wa̱mxa̱laga̱lis I'nis. Influenced greatly by his grandmother, he has always been determined to uphold the traditions of both the K’ómoks and Kwakwa̱ka‘wakw First Nations. In this respect, Andy has engaged in avenues where he can sing traditional songs and perform ceremonial dances at potlatches and in a number of different dance groups, most notably the Le-La-La Dancers, the Gwa'wina Dancers and the K’umugwe Dancers.
Pursuing other areas of traditional culture has also led Andy to complete a Master’s degree in anthropology. Because the K’ómoks First Nation lies on the border between the larger Salish and Kwakwa̱ka̱'wakw sphere, his thesis paying attention to notions and expressions of contemporary Comox identity. His work in anthropology provided him with a background in linguistics which subsequently inspired him to create a company, Copper Canoe, Inc., that specialized in the creation of Aboriginal language media.
Andy feels that his artwork stands on par with these other accomplishments. Although he began drawing Northwest Coast art at an early age, Andy's first serious attempt wasn’t until 1990 when he started designing and painting chilkat-style blankets for use in potlatch dancing. From these early self-taught lessons, he has tried to follow in the footsteps of his Kwakwa̱ka̱'wakw relatives in creating bold and unique representations that remain rooted in the age-old traditions of his ancestors. The ability to create and print most of his own work has allowed Andy to explore and express his ancestral artwork in a number of contemporary ways.